Revelations and Revolutions
Revelation
1:4-8; Psalm 150; John 20:19-31
April 28, 2019
“To the seven
churches, here comes one weird letter. I hope you’re ready.” If I’d been ghost
writing for John of the Apocalypse I might have proposed that opening.
But if I’d
been aiming for a more descriptive and accurate beginning, I would have
proposed something along the lines of, “John, to the seven churches, here’s a
long strange song I sing of thee.”
I find it
helpful to read the book of Revelation as poetry, because it is nothing but
misleading and dangerous to read it in any straightforward or literal way, and
it’s not particularly helpful to read it as an acid trip.
The Revised
Common Lectionary actually points in this direction, too, by pairing the words Psalm
150 with these opening words from Revelation. The lectionary for Year C, which
we’re in, includes a set of passages from Revelation during the season of
Eastertide, and I appreciate that, on the Sunday when the brief trip through
the final book of the New Testament begins, we’re also invited to read these
words:
Praise God
with trumpet sound; praise God with lute and harp!
Praise God
with tambourine and dance; praise God with strings and pipe!
Praise God
with clanging cymbals; praise God with loud clashing cymbals!
Let everything
that breathes praise the Lord! Praise the Lord!
Revelation is
a song of praise to God – “the Alpha and the Omega … who is and who was and who
is to come.”
It is also a
song of warning to the church, and a song of protest to the empire.
It is not,
however, a funeral dirge, though it is filled with death. For it is also filled
with resurrection, and, in proclaiming resurrection, revelation becomes an
anthem of revolution – a siren song proclaiming the imminent turning of the
world catalyzed by God’s dramatic and singular intervention in raising Jesus
from the dead.
This is the
song we need to sing.
We, the church
of Jesus Christ, need to sing this song of life because we live amidst a
culture of death. As Brian Blount, president of Union Presbyterian Seminary in
Richmond, puts it in his Invasion of the Dead, “We know death. We are death. What we do not
get, what strikes us as unfathomable, as foolishly beyond our reach, is life.”[1]
We are all
Thomas. We know death. We saw Jesus crucified. We know he’s dead. We saw Malcolm
and Martin murdered. We know they’re dead. We saw Mandela imprisoned and we
know he was silenced. We’ve seen Angela Davis handcuffed and harassed. We know
she silenced. We’ve seen Harvey Milk and Yitzhak Rabin assassinated. We know
they’re dead. We’ve seen climate activists harassed and jailed. We’ve seen
truth assailed, peacemakers mocked, and justice denied time after time after
time. Dying messiahs are nothing new to us.
Indeed, we can
make a fetish of the deaths of our heroes, and sell the t-shirts with their
images emblazoned on them. But, like Thomas, we don’t believe life even when
it’s standing right in front of us still bearing the marks of death.
As Blount puts
it, “Resurrection stands out in this world because resurrection is not normal:
it makes no true sense in this world.”[2]
It makes no
sense, that is, so long as we see no need for the revolution that God intends
to wage by means of resurrection.
Perhaps that’s
why the apocalyptic revelation comes to John in exile. The author of Revelation
writes from Patmos, the island where he has been exiled for preaching the
radical message that Jesus is Lord in the midst of an empire that reserved that
title for Caesar.
As Allan
Boesak put it in a sermon to his South African congregation in the midst of
Apartheid, “precisely on this point the faith of the Christian congregation
would have to prove itself. They would have to rise above their slave mentality
and exchange their fear of the authorities for the fear of the Lord. The
conflicting loyalties were clearly spelled out: God or idol; Lord or emperor.”[3]
For Boesak’s
congregation, the news that God was about the work of revolution could only be
heard as good. For the churches to whom John of Patmos wrote, the great turning
of the world was good news. For the folks to whom Martin and Malcolm and
Mandela preached, liberating revolution was good news. Resurrection was good
news because they were dying.
How do we hear
such news? We who are so comfortable, so clearly and closely aligned with the
empire? Where do our loyalties lie?
Scripture
regularly puts the choice in clear, black and white terms: I put before you
life and death; choose this day whom you will serve.
Friends, the
empire with which we are so clearly and closely aligned is, like every empire
in every age, an empire of death. We could recite specifics, but it would begin
quickly to read like a coroner’s report. Cause of death: rampant consumerism
driving climate catastrophe; unrestrained militarism compelling countless and
ceaseless wars; unrepentant racism driving a culture enraptured by violence.
In such a
time, how do we choose life? How do we live into resurrection?
I’m not
certain, though I believe this has some deep connections to all that we talked
about with respect to generative church. After all, what we’re talking about is
generating life. What does that look like in such a time as this?
Fortunately,
we’ve got models. We are, in fact, surrounded by a great cloud of witnesses who
have gone before proclaiming life in the midst of unimaginable suffering and
death. Think of enslaved African-Americans. As Brian Blount puts it, “These
people envisioned and embodied resurrection. And they used it as a weapon. They
preached exodus when they were in Egypt. They drew education down from the sky
when there was no legal opportunity for it on this earth. They faced down dogs,
police, water cannons, and entire regions of hostility when there seemed to be
no safe way forward. […] They lived resurrection until they participated in the
unleashing of resurrection.”[4]
Oh, and they
sang, too. Because to generate new life, to generate resurrection, you have to
sing the revolution into the world. No position paper is going to get you
there. No talking points, no TED talks, no amount of preaching – you have to
sing revolution into the world.
The turning of
the world from death to new life begins when we refuse to be turned by the lies
of a culture of death and attend to the truth of the God of life. That’s the
revolution waiting for its song.
Ain’t gonna
let nobody turn me ‘round.
[1] Brian K. Blount, Invasion
of the Dead: Preaching the Apocalypse (Louisville: Westminster/John Knox
Press, 2014) 30.
[2] Ibid.
[3] Allan Boesak, The
Finger of God (Maryknoll, N.Y.: Orbis Books, 1989) 88.
[4] Blount, 29-30.
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